Ways to preserve the visual identity of the outer courtyard of the Luxor Temple according to the science of energy and sacred engineering (An analytical study of the state's development of the outer courtyard of the Luxor Temple))

Document Type : Original Article

Authors

1 Professor of Interior Design Theories Department of Interior Design and Furniture Faculty of Applied Arts - Helwan University

2 Professor of Environmental Design Department of Interior Design and Furniture Faculty of Applied Arts - Helwan University

3 College of Fine Arts, Nahda University, Beni -Suef

Abstract

The research deals with ways to preserve the visual identity of the outer courtyard of the Luxor Temple through the application of sacred principles of energy science and engineering. The Luxor Temple is a prominent example of architecture that combines religious philosophy and sacred geometry, as its architectural design reflects a delicate balance between man, God and nature through geometric proportions and astronomical guidance. The temple has astronomical and cosmic applications that make it more than just a place of worship, but a site that expresses man's relationship with the universe and God.
The research reviews the concept of the visual identity of the site and the historical and cultural significance of the Luxor Temple, and poses a fundamental problem of ignoring the design and coordination of the external courtyards of archaeological sites for the principles of sacred engineering and not taking into account their environmental and aesthetic impacts. The research also deals with how to apply the principles of sacred geometry in improving the balance between man and place, using geometric models that are in harmony with cosmic energy and the environmental environment, such as the golden ratio that is used to organize spaces and improve the spiritual and visual experience.
The research examines the shortcomings in the current design of the outer courtyard of the Luxor Temple as a result of the neglect of the Tari elements.

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